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Caroline Elbaor is a writer and curator based in London.
She is currently a Contributing Writer to Artnet News and her writing on contemporary art has appeared in Artforum, ArtReview, BOMB Magazine, Elephant, Flash Art International, VICE/GARAGE, and Young Artists in Conversation, among others. She is a member of the International Association of Art Critics and organised the debut one-person institutional exhibition of Jessica Vaughn, which was staged at Dallas Contemporary in Texas, USA.
Her research interests focus on feminist and queer theories, the intersection of technology with affect theory, and various forms of labour as performed and defined under neoliberalism. She engages primarily with emerging artists, placing particular emphasis upon performance, video, installation, and new media and technologies.
Elbaor holds a BA in Art History from New York University and an MFA in Curating with Distinction from Goldsmiths, University of London.
She is currently a Contributing Writer to Artnet News and her writing on contemporary art has appeared in Artforum, ArtReview, BOMB Magazine, Elephant, Flash Art International, VICE/GARAGE, and Young Artists in Conversation, among others. She is a member of the International Association of Art Critics and organised the debut one-person institutional exhibition of Jessica Vaughn, which was staged at Dallas Contemporary in Texas, USA.
Her research interests focus on feminist and queer theories, the intersection of technology with affect theory, and various forms of labour as performed and defined under neoliberalism. She engages primarily with emerging artists, placing particular emphasis upon performance, video, installation, and new media and technologies.
Elbaor holds a BA in Art History from New York University and an MFA in Curating with Distinction from Goldsmiths, University of London.